It affects the imagination and feelings of the reader, conveys the thoughts and feelings of the author, uses all the richness of vocabulary, the possibilities of different styles, is characterized by figurativeness, emotionality, and concreteness of speech.

The emotionality of the artistic style differs significantly from the emotionality of the colloquial and journalistic styles. The emotionality of artistic speech performs an aesthetic function. Art style involves pre-selection language tools; all language means are used to create images.

The artistic style is realized in the form of drama, prose and poetry, which are divided into the corresponding genres (for example: tragedy, comedy, drama and other dramatic genres; novel, short story, short story and other prose genres; poem, fable, poem, romance and other poetic genres ).

A distinctive feature of the artistic style of speech is the use of special figures of speech, the so-called artistic tropes, which give color to the narrative, the power of depicting reality.

The artistic style is individually variable, which is why many philologists deny its existence. But it is impossible not to take into account that the individual-author's features of the speech of a particular writer arise against the background of common features artistic style.

In the artistic style, everything is subordinated to the goal of creating an image in the perception of the text by readers. This goal is served not only by the use by the writer of the most necessary, most accurate words, due to which the artistic style is characterized by the highest index of vocabulary diversity, not only by the widespread use of the expressive possibilities of the language (figurative meanings of words, updating metaphors, phraseological units, comparisons, personification, etc. .), but also a special selection of any figuratively significant elements of the language: phonemes and letters, grammatical forms, syntactic constructions. They create background impressions, a certain figurative mood among readers.

Art style finds application in fiction, which performs a figurative-cognitive and ideological-aesthetic function.

For the artistic style of speech is typical attention to the particular and the accidental, followed by the typical and the general. Remember "Dead Souls" by N.V. Gogol, where each of the shown landowners personified certain specific human qualities, expressed a certain type, and all together they were the "face" of Russia contemporary to the author.

World fiction - this is a "recreated" world, the depicted reality is, to a certain extent, the author's fiction, which means that in the artistic style of speech the most important role plays a subjective moment. The whole surrounding reality is presented through the vision of the author. But in a literary text we see not only the world of the writer, but also the writer in this world: his preferences, condemnations, admiration, rejection, etc. This is connected with emotionality and expressiveness, metaphoricalness, meaningful diversity of the artistic style of speech.

The basis of the artistic style of speech is the literary Russian language. The word performs a nominative-figurative function.

The lexical composition in the artistic style of speech has its own characteristics. The words that form the basis and create the figurativeness of this style include figurative means of Russian literary language, as well as words that realize their meaning in the context. These are words with a wide range of uses. Highly specialized words are used to a small extent, only to create artistic authenticity in describing certain aspects of life.

In the artistic style of speech is very widely used speech ambiguity of the word, revealing in it meanings and semantic shades, as well as synonymy at all language levels, which makes it possible to emphasize the subtlest shades of meanings. This is explained by the fact that the author strives to use all the richness of the language, to create his own unique language and style, to a bright, expressive, figurative text. The author uses not only the vocabulary of the codified literary language, but also a variety of figurative means from colloquial speech and vernacular.

The emotionality and expressiveness of the image come to the fore in the artistic text. Many words that in scientific speech act as clearly defined abstract concepts, in newspaper and journalistic speech - as socially generalized concepts, in artistic speech carry concrete sensory representations. Thus, the styles are complementary to each other.

For artistic speech especially poetic, inversion is characteristic, i.e. changing the usual order of words in a sentence in order to enhance the semantic significance of the word or to give the whole phrase a special stylistic coloring.

The syntactic structure of artistic speech reflects the flow of figurative and emotional author's impressions, so here you can find the whole variety of syntactic structures. Each author subordinates linguistic means to the fulfillment of his ideological and aesthetic tasks.

In artistic speech, it is possible and deviations from structural norms for the author to highlight some thought, feature that is important for the meaning of the work. They can be expressed in violation of phonetic, lexical, morphological and other norms.

The stylistic stratification of speech is its characteristic feature. This stratification is based on several factors, of which the main one is the sphere of communication. The sphere of individual consciousness - everyday life - and the informal situation associated with it give rise to colloquial style, spheres of public consciousness with their attendant formality nourish book styles.

The difference in the communicative function of language is also significant. For the presenter is for book styles - the message function.

Among book styles, the artistic style of speech stands out. So, his language is not only (and maybe not so much) but also a means of influencing people.

The artist generalizes his observations with the help of a specific image, by skillful selection of expressive details. He shows, draws, depicts the subject of speech. But you can show, draw only what is visible, concrete. Therefore, the requirement of concreteness is the main feature of the artistic style. However, a good artist will never describe, say, a spring forest directly, so to speak, head-on, in the manner of science. He will select a few strokes, expressive details for his image, and with their help he will create a visible image, a picture.

Speaking about figurativeness as a leading stylistic feature of artistic speech, one should distinguish between “an image in a word”, i.e. figurative meanings of words, and "image through words". Only by combining both, we get the artistic style of speech.

In addition, the artistic style of speech has the following characteristic features:

1. Scope of use: works of art.

2. Tasks of speech: create a living picture depicting what the story is about; convey to the reader the emotions and feelings experienced by the author.

3. Characteristic features of the artistic style of speech. The expression is basically:

Figurative (expressive and lively);

Specific (this person is described, and not people, in general);

Emotional.

Specific words: not animals, but wolves, foxes, deer and others; did not look, but paid attention, looked.

Frequently used words in figurative meaning: an ocean of smiles, the sun sleeps.

The use of emotional-evaluative words: a) having diminutive suffixes: bucket, swallow, little white; b) with the suffix -evat- (-ovat-): loose, reddish.

The use of perfective verbs with the prefix for-, denoting the beginning of the action (the orchestra played).

Use of present tense verbs instead of past tense verbs (Went to school, suddenly I see ...).

The use of interrogative, motivating, exclamatory sentences.

Use in the text of sentences with homogeneous members.

Speeches can be found in any fiction book:

She shone with forged damask steel

The rivers are a cold stream.

Don was terrible

horses snored,

And the backwater foamed with blood ... (V. Fetisov)

Quiet and blissful December night. The village slumbers peacefully, and the stars, like guards, vigilantly and vigilantly watch that there is harmony on earth, so that troubles and strife, God forbid, do not disturb unsteady consent, do not move people to new quarrels - the Russian side is already well fed with them ( A. Ustenko).

Note!

It is necessary to be able to distinguish between the artistic style of speech and the language of a work of art. In it, the writer resorts to various functional styles, using language as a means speech characteristics hero. Most often, the conversational style of speech is reflected in the replicas of the characters, but if the task of creating an artistic image requires it, the writer can use both scientific and business in the character’s speech, and Non-distinguishing between the concepts of “artistic style of speech” and “language of a work of art” leads to the perception of any passage from a work of art as an example of the artistic style of speech, which is a gross mistake.

Fiction style

Art style- functional style of speech, which is used in fiction. In this style, it affects the imagination and feelings of the reader, conveys the thoughts and feelings of the author, uses all the richness of vocabulary, the possibilities of different styles, is characterized by figurativeness, emotionality of speech.

In a work of art, the word not only carries certain information, but also serves to aesthetically influence the reader with the help of artistic images. The brighter and more truthful the image, the stronger it affects the reader.

In their works, writers use, when necessary, not only words and forms of the literary language, but also obsolete dialect and vernacular words.

Funds artistic expressiveness varied and numerous. These are tropes: comparisons, personifications, allegory, metaphor, metonymy, synecdoche, etc. And stylistic figures: epithet, hyperbole, litote, anaphora, epiphora, gradation, parallelism, rhetorical question, omission, etc.

Fiction is characterized by a concrete-figurative representation of life, in contrast to the abstract, objective, logical-conceptual reflection of reality in scientific speech. A work of art is characterized by perception through the senses and the re-creation of reality, the author seeks to convey, first of all, his personal experience, their understanding or comprehension of this or that phenomenon. But in a literary text, we see not only the world of the writer, but also the writer in this world: his preferences, condemnations, admiration, rejection, and the like. This is associated with emotionality and expressiveness, metaphorical, meaningful diversity of the artistic style of speech.

The basis of the artistic style of speech is the literary Russian language. The word in this functional style performs a nominative-figurative function. The words that form the basis of this style primarily include figurative means of the Russian literary language, as well as words that realize their meaning in the context. These are words with a wide range of uses. Highly specialized words are used to a small extent, only to create artistic authenticity in describing certain aspects of life.

In the artistic style of speech, the speech polysemy of the word is widely used, which opens up additional meanings and semantic shades in it, as well as synonymy at all language levels, which makes it possible to emphasize the subtlest shades of meanings. This is explained by the fact that the author strives to use all the richness of the language, to create his own unique language and style, to a bright, expressive, figurative text. The author uses not only the vocabulary of the codified literary language, but also a variety of figurative means from colloquial speech and vernacular.

The emotionality and expressiveness of the image comes to the fore in the artistic text. Many words that in scientific speech act as clearly defined abstract concepts, in newspaper and journalistic speech - as socially generalized concepts, in artistic speech carry concrete sensory representations. Thus, the styles functionally complement each other. For example, the adjective lead in scientific speech realizes its direct meaning (lead ore, lead bullet), and in artistic speech it forms an expressive metaphor (lead clouds, lead noz, lead waves). Therefore, in artistic speech, phrases play an important role, which create a certain figurative representation.

Artistic speech, especially poetic speech, is characterized by inversion, i.e. changing the usual order of words in a sentence in order to enhance the semantic significance of a word, or to give the whole phrase a special stylistic coloring. An example of inversion is the well-known line from A. Akhmatova's poem "Everything I see is hilly Pavlovsk ..." Variants of the author's word order are diverse, subject to a common plan. But all these deviations in the text serve the law of artistic necessity.

6. Aristotle on six qualities of "good speech"

The term "rhetoric" (Greek Retorike), "oratory" (Latin orator, orare - to speak), "vitia" (obsolete, Old Slavonic), "eloquence" (Russian) are synonymous.

Rhetoric - a special science of the laws of "invention, arrangement and expression of thoughts in speech." Its modern interpretation is the theory of persuasive communication.

Aristotle defined rhetoric as the ability to find possible beliefs about any given subject, as the art of persuasion, which uses the possible and probable in cases where real certainty is insufficient. The business of rhetoric is not to convince, but in each given case to find ways of persuasion.

Oratory is understood as a high degree of skill in public speaking, a qualitative characteristic of oratory, skillful use of the word.

Eloquence in the dictionary of the living Great Russian language by V. Dahl is defined as eloquence, science and the ability to speak and write beautifully, convincingly and captivatingly.

Corax, who in the fifth century BC. opened a school of eloquence in Syrocusa and wrote the first textbook of rhetoric, defined eloquence as follows: eloquence is the servant of persuasion. Comparing the above concepts “rhetoric”, “oratory”, “eloquence”, we find that they are united by the idea of ​​persuasion.

Aesthetics and self-expression of the orator in oratory, the ability and ability to speak fascinatingly inherent in eloquence, as well as the scientific laws of rhetoric, all serve the same purpose - to convince. And these three concepts of “rhetoric”, “oratory” and “eloquence” differ in different accents that emphasize their content.

Oratory emphasizes aesthetics, self-expression of the author, eloquence emphasizes the ability and ability to speak in a fascinating way, and rhetoric emphasizes the scientific nature of principles and laws.

Rhetoric as a science and academic discipline has existed for thousands of years. AT different time included different content. It was considered both as a special genre of literature, and as a mastery of any kind of speech (oral and written), and as a science and art of oral speech.

Rhetoric, as the art of speaking well, needed an aesthetic assimilation of the world, an idea of ​​the elegant and the clumsy, the beautiful and the ugly, the beautiful and the ugly. The origins of rhetoric were an actor, a dancer, a singer who delighted and convinced people with their art.

At the same time, rhetoric was based on rational knowledge, on the difference between the real and the unreal, the real from the imaginary, the true from the false. A logician, a philosopher, a scientist participated in the creation of rhetoric. In the very formation of rhetoric, there was also a third principle; it united both types of knowledge: aesthetic and scientific. Ethics was such a beginning.

So the rhetoric was triune. It was the art of persuading with the word, the science of the art of persuading with the word, and the process of persuasion based on moral principles.

Even in antiquity, two main trends developed in rhetoric. The first, coming from Aristotle, connected rhetoric with logic and suggested that persuasive, effective speech be considered good speech. At the same time, efficiency also came down to persuasiveness, the ability of speech to win recognition (consent, sympathy, sympathy) of listeners, to make them act in a certain way. Aristotle defined rhetoric as "the ability to find possible ways beliefs about any given subject.

The second direction also arose in Dr. Greece. Among its founders are m Socrates and other rhetors. Its representatives were inclined to consider richly decorated, magnificent speech, built according to aesthetic canons, to be good. Persuasiveness continued to matter, but was not the only and not the main criterion for evaluating speech. Therefore, the direction in rhetoric, originating from Aristotle, can be called "logical", and from Socrates - literary.

The doctrine of the culture of speech originated in Ancient Greece within the framework of rhetoric as a doctrine of the merits and demerits of speech. In rhetorical treatises, prescriptions were given for what speech should be and what should be avoided in it. These papers provided guidance on how to correctness, purity, clarity, accuracy, consistency and expressiveness of speech, as well as advice on how to achieve this. In addition, even Aristotle urged not to forget about the addressee of the speech: "Speech consists of three elements: the speaker himself, the subject he speaks about, and the person to whom he refers and which is, in fact, the ultimate goal of everything." Thus, Aristotle and other rhetoricians drew the attention of readers to the fact that rhetorical heights, the art of speech can be achieved only on the basis of mastering the basics of speech skill.

The artistic style of speech is the language of literature and art. It is used to convey emotions and feelings, artistic images and phenomena.

Art style is a way for writers to express themselves, so it is usually used in writing. Orally (for example, in plays), texts written in advance are read out. Historically, the artistic style functions in three types of literature - lyrics (poems, poems), drama (plays) and epic (stories, novels, novels).

An article about all styles of speech -.

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The art style is:

2. Language means are a way of conveying the artistic image, emotional state and mood of the narrator.

3. The use of stylistic figures - metaphors, comparisons, metonyms, etc., emotionally expressive vocabulary, phraseological units.

4. Multi-style. The use of language means of other styles (colloquial, journalistic) is subject to the fulfillment of a creative plan. These combinations gradually form what is called the author's style.

5. The use of verbal ambiguity - words are chosen so that with their help not only “draw” images, but also put a hidden meaning into them.

6. Information transfer function is often hidden. The purpose of the artistic style is to convey the emotions of the author, to create a mood, an emotional mood in the reader.

Art Style: Case Study

Let's take a look at the features of the parsed style as an example.

An excerpt from the article:

The war disfigured Borovoye. Interspersed with the surviving huts, charred stoves stood like monuments to people's grief. Pillars stuck out from the gate. The shed gaped with a huge hole - half of it was broken off and carried away.

There were gardens, and now stumps - how rotten teeth. Only in some places two or three juvenile apple trees took shelter.

The village was depopulated.

When the one-armed Fyodor returned home, his mother was alive. She grew old, emaciated, gray hair increased. She sat down at the table, but there was nothing to treat. Fedor had his own, soldierly. At the table, the mother said: everyone was robbed, damned skinners! We hid pigs and hens, who are much better. Will you save? He makes noise, threatens, give him a chicken, be at least the last one. With a fright, they gave the last one. Here I have nothing left. Oh, it was bad! The damned fascist ruined the village! You can see for yourself what's left... more than half of the yards burned down. The people fled to where: some to the rear, some to the partisans. How many girls were kidnapped! So our Frosya was taken away ...

Fyodor looked around in a day or two. They began to return their own, Borovsky. They hung a piece of plywood on an empty hut, and on it in crooked letters soot in oil - there was no paint - “The board of the Krasnaya Zarya collective farm” - and it went, and it went! Down and Out trouble started.

The style of this text, as we have already said, is artistic.

His features in this passage:

1. Borrowing and application of vocabulary and phraseology of other styles ( as monuments of national grief, fascist, partisans, collective farm management, the beginning of trouble).
2. The use of visual and expressive means ( hijacked, cursed skinners, really), the semantic ambiguity of words is actively used ( the war disfigured Borovoye, the barn gaped with a huge hole).
3. they've all been robbed, you damned skinners! We hid pigs and hens, who are much better. Will you save? He makes noise, threatens, give him a chicken, be at least the last one. Oh, it was bad!).
4. There were gardens, and now stumps are like rotten teeth; She sat down at the table, but there was nothing to treat; on oil - there was no paint).
5. The syntactic structures of a literary text reflect, first of all, the flow of the author's impressions, figurative and emotional ( Interspersed with the surviving huts, charred stoves stood like monuments to people's grief. The shed gaped with a huge hole - half of it was broken off and carried away; There were gardens, and now stumps are like rotten teeth).
6. The characteristic use of numerous and varied stylistic figures and tropes of the Russian language ( stumps are like rotten teeth; charred stoves stood like monuments to national grief; sheltered by two or three teenage apple trees).
7. The use, first of all, of vocabulary that forms the basis and creates the figurativeness of the analyzed style: for example, figurative techniques and means of the Russian literary language, as well as words that realize their meaning in the context, and words of a wide range of use ( grew old, emaciated, burned, letters, girls).

Thus, the artistic style does not so much tell as it shows - it helps to feel the situation, to visit those places that the narrator tells about. Of course, there is also a certain "imposition" of the author's experiences, but it also creates a mood, conveys sensations.

The art style is one of the most "borrowing" and flexible: writers, firstly, actively use language of other styles, and secondly, they successfully combine artistic imagery, for example, with explanations scientific facts, concepts or phenomena.

Sci-Fi Style: Case Study

Consider the example of the interaction of two styles - artistic and scientific.

An excerpt from the article:

The youth of our country loves forests and parks. And this love is fruitful, active. It is expressed not only in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests. One day, at a meeting, even chips appeared on the table of the presidium. Some villain cut down an apple tree that grew alone on the river bank. Like a lighthouse, she stood on a steep yard. They got used to it, as to the appearance of their home, they loved it. And now she was gone. On this day, the conservation group was born. They called it the "Green Patrol". There was no mercy for the poachers, and they began to retreat.

N. Korotaev

Scientific style features:

1. Terminology ( presidium, laying of forest belts, krutoyar, poachers).
2. The presence in a series of nouns of words denoting the concepts of a feature or state ( bookmark, security).
3. The quantitative predominance of nouns and adjectives in the text over verbs ( this love is fruitful, active; in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests).
4. The use of verbal phrases and words ( bookmark, security, mercy, meeting).
5. Verbs in the present tense that have a “timeless”, indicative meaning in the text, with weakened lexical and grammatical meanings of time, person, number ( loves, expresses);
6. A large volume of sentences, their impersonal nature in conjunction with passive constructions ( It is expressed not only in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests.).

Art style features:

1. Extensive use of vocabulary and phraseology of other styles ( presidium, laying of forest belts, krutoyar).
2. The use of various figurative and expressive means ( this love is fruitful, in vigilant protection, reckless), the active use of the verbal polysemy of the word (the appearance of the house, "Green Patrol").
3. Emotionality and expressiveness of the image ( They got used to it, as to the appearance of their home, they loved it. And now she was gone. On this day the band was born.
4. The manifestation of the creative individuality of the author - the author's style ( It is expressed not only in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests. Here: combining features of several styles).
5. Allotment special attention particular and seemingly random circumstances and situations behind which one can see the typical and general ( Some villain cut down an apple tree ... And now it was gone. On this day, the conservation group was born).
6. The syntactic structure and the corresponding structures in this passage reflect the flow of figurative and emotional author's perception ( Like a lighthouse, she stood on a steep yard. And now she's gone).
7. The characteristic use of numerous and varied stylistic figures and tropes of the Russian literary language ( this fruitful, active love, like a beacon, it stood, there was no mercy, growing alone).
8. The use, first of all, of vocabulary that forms the basis and creates the figurativeness of the parsed style: for example, figurative techniques and means of the Russian language, as well as words that realize their meaning in the context, and words of the widest distribution ( youth, reckless, fruitful, active, guise).

In terms of the variety of language means, literary devices and methods, the artistic style is perhaps the richest. And, unlike other styles, it has a minimum of restrictions - with proper drawing of images and an emotional mood, you can even write a literary text in scientific terms. But, of course, this should not be abused.

artistic speech stylistics Russian

The specificity of the artistic style of speech, as a functional one, lies in the fact that it finds application in fiction, which performs a figurative-cognitive and ideological-aesthetic function. In contrast, for example, to the abstract, objective, logical-conceptual reflection of reality in scientific speech, fiction is characterized by a concrete-figurative representation of life. A work of art is characterized by the perception through feelings and the re-creation of reality, the author seeks, first of all, to convey his personal experience, his understanding or understanding of a particular phenomenon. But in a literary text, we see not only the world of the writer, but also the writer in this world: his preferences, condemnations, admiration, rejection, and the like. This is associated with emotionality and expressiveness, metaphorical, meaningful diversity of the artistic style of speech.

The main goal of the artistic style is the development of the world according to the laws of beauty, the satisfaction of the aesthetic needs of both the author of the work of art and the reader, the aesthetic impact on the reader with the help of artistic images.

The basis of the artistic style of speech is the literary Russian language. The word in this functional style performs a nominative-figurative function. The words that form the basis of this style, first of all, include figurative means of the Russian literary language, as well as words that realize their meaning in the context. These are words with a wide range of uses. Highly specialized words are used to a small extent, only to create artistic authenticity in describing certain aspects of life.

The artistic style differs from other functional styles in that it uses the language tools of all other styles, but these tools (which is very important) appear here in a modified function - in an aesthetic one. In addition, not only strictly literary, but also extra-literary means of language can be used in artistic speech - colloquial, slang, dialect, etc., which are also used not in the primary function, but are subject to an aesthetic task.

The word in a work of art, as it were, doubles: it has the same meaning as in the general literary language, as well as an additional, incremental, associated with the artistic world, content of this work. Therefore, in artistic speech, words acquire a special quality, a certain depth, begin to mean more than what they mean in ordinary speech, remaining outwardly the same words.

This is how the transformation of ordinary language into artistic language takes place, such, one might say, is the mechanism of action of the aesthetic function in a work of art.

The peculiarities of the language of fiction include an unusually rich, diverse vocabulary. If the vocabulary of scientific, official business and colloquial speech is relatively limited thematically and stylistically, then the vocabulary of artistic style is fundamentally unlimited. Here, the means of all other styles can be used - both terms, and official expressions, and colloquial words and turns, and journalism. Of course, all these various means undergo aesthetic transformation, perform certain artistic tasks, and are used in unique combinations. However, there are no fundamental prohibitions or restrictions regarding vocabulary. Any word can be used, as long as it is aesthetically motivated, justified.

It can be said that in the artistic style all linguistic means, including neutral ones, are used to express the poetic thought of the author, to create a system of images of a work of art.

The wide range in the use of speech means is explained by the fact that, unlike other functional styles, each of which reflects one specific side of life, the artistic style, being a kind of mirror of reality, reproduces all spheres. human activity all phenomena of social life. The language of fiction is fundamentally devoid of any stylistic isolation, it is open to any styles, any lexical layers, any linguistic means. Such openness determines the diversity of the language of fiction.

In general, the artistic style is usually characterized by figurativeness, expressiveness, emotionality, the author's individuality, the specificity of the presentation, the specificity of the use of all linguistic means.

It affects the imagination and feelings of the reader, conveys the thoughts and feelings of the author, uses all the richness of vocabulary, the possibilities of different styles, is characterized by figurativeness, emotionality, and concreteness of speech. The emotionality of the artistic style differs significantly from the emotionality of the colloquial everyday style, since the emotionality of artistic speech performs an aesthetic function.

A broader concept is the language of fiction: the artistic style is usually used in the author's speech, and other styles, such as colloquial, can be present in the speech of the characters.

The language of fiction is a kind of mirror of the literary language. Literature is rich, which means that the literary language is also rich. Great poets and writers create new forms of literary language, which are then used by their followers and all who speak and write in this language. Artistic speech appears as the pinnacle of the language. In it, the possibilities of the national language are presented in the most complete and pure development.